Friday, February 28, 2014
Unearthing Solomon's Vineyard
Jonathan Latimer is sadly forgotten today. There was a time when his screwball private eye series featuring the rarely sober Bill Crane were bestsellers and even made the transition to the silver screen in the late 1930s courtesy of Universal Pictures in a fun trio of B-movies. Latimer was a respected Hollywood screenwriter of the 1940s who crossed over to television from the 1950s through the early 1970s writing for such series as Perry Mason and Columbo. He also achieved instant notoriety as the author of the hardboiled detective novel, Solomon’s Vineyard which was banned almost upon publication in 1941 and remained unavailable in its original form in the U.S. for decades.
The general consensus is with Solomon’s Vineyard, Latimer turned up the heat on hardboiled detective fiction and blurred the line between pulp and pornography. Most critics will claim that even today, readers would be hard-pressed to find a tougher or more shocking private eye novel. While public domain copies riddled with typos are easy to come by, I finally tracked down an affordable copy of an earlier edition and read the book for myself. I was shocked as well, not by the content, but to learn the book is clearly intended as yet another of Latimer’s laugh-out-loud farces despite its reputation.
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Thursday, February 20, 2014
Spaghetti Westerns Go Kaballah
I’ve known Ed Erdelac from New Pulp circles, but had never read any of his fiction before. Ed is a very talented author who has determined to carve out his own niche in the familiar sub-genre of spaghetti westerns.
If one is to be accurate, spaghetti westerns were westerns of the 1960s and 1970s made by Italian filmmakers in Spain with international casts and international funding. They offered an avant-garde spin on westerns which were gritty, realistic, bloody, and notably laconic in contrast to the traditional Hollywood westerns which mythologized America’s past. Since the mid-1960s, Hollywood has occasionally offered up their own imitation spaghetti westerns right up to Quentin Tarantino’s acclaimed Django Unchained.
Enter: Ed Erdelac. Ed wasn’t the first author to translate spaghetti westerns to the printed page. Sergio Leone’s Dollars trilogy inspired a Man with No Name literary series in the 1960s. However, he is, to my knowledge, the first author to put a Jewish spin on this very stylish sub-genre. While there was a tongue-in-cheek Jewish spy series in the 1960s, Erdelac isn’t interested in writing a kitsch genre spoof. The Merkabah Rider series is as deadly serious as it is eccentric and the dramatic tone makes all the difference to the book’s success.
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Labels:
Ed Erdelac,
Merkabah Rider,
New Pulp,
spaghetti western
Friday, February 14, 2014
The Return of Renner and Quist
Samhain Publishing has just awakened Sleeping Bear, the second Renner and Quist adventure by Mark Rigney to see publication as an ebook. I discovered the series last year when the same publisher unearthed The Skates, a screwball quest involving tormented Victorian souls, a pair of magic ice skates, a ghostly hound, and dimensional time and space travel.
For the benefit of newcomers, Renner and Quist are an odd couple double act comprising a stuffy Unitarian minister and a rather crude, sometimes boorish, ex-linebacker and former private eye who team to solve occult mysteries in Michigan. This quirky series is surprisingly literate fiction that calls to mind Douglas Adams’ delightful Dirk Gently series.
Rigney’s fiction is built around his characters’ faith (or their lack thereof) in the supernatural and preternatural. The series is thought-provoking as much as it is entertaining. This time out, Sleeping Bear finds Reverend Renner suffering through a crisis of faith as his attempts to minister at a local hospice have fallen on not just deaf ears, but unbelieving ones.
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Friday, February 7, 2014
As Tartary Burns
As Tartary Burns is the debut novel by Riley Hogan and is newly published by Airship 27. Calling the novel pulp fiction isn’t completely accurate. Hogan finds himself in the same position as the standout talents of the pulp world of the 1920s and 1930s who were published in the pulps but whose prose was more polished and literate than most of their peers to the degree that it seems an oversight they were passed up by the slicks. Many of those talents today are recognized as having lasting literary value. So it is with As Tartary Burns, an ambitious fast-paced historical adventure that presents an alternate history of the Cossacks, Ottomans, and Crimeans.
Hogan’s book has been likened to Robert E. Howard and Harold Lamb. One reviewer suggests comparison to the film Braveheart. I felt it read like a stream-lined Game of Thrones with the explicit sex and language excised. Hogan is possessed not only of an obvious passion for history, but a pride in the culture, folklore and religion of these people to the degree that one wonders if it is his own heritage. His reshaping of world events makes one curious if he plans not so much a conventional follow-up, but rather an expanding alternate history of the world set in different epochs.
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Friday, January 31, 2014
Sgt. Janus Returns
Jim Beard made quite a splash in the New Pulp community when he introduced an original occult detective character in Sgt. Janus, Spirit-Breaker in 2012. There has been a rich history of Holmesian occult detectives, but Beard appeared to have been the first to hit upon the brilliant concept of having each short story in the volume narrated by the detective’s client. It was a simple, but highly effective means of giving eight different perspectives on the character.
Beard also took the unexpected decision to kill off his character at the end of the last story in the collection. Imagine if A Study in Scarlet had concluded at the Reichenbach Falls and you have a clear notion of what a bold and unexpected move it was to make for an author who had already managed to raise the bar in a genre that many believed had been exhausted of fresh ideas.
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Labels:
Airship 27,
Jim Beard,
New Pulp,
occult detective,
Sgt. Janus,
Sherlock Holmes
Friday, January 24, 2014
The Return of Rick Steele
Last year was my introduction to author Dick Enos and his Rick Steele adventure series. I suspect this year will be the one where both author and character make real headway among fans of New Pulp. The fourth Rick Steele adventure, The Yesterday Men, was just published. If you’ve read the first three titles in the series, then you know Enos loves to confound reader expectations by delivering widely varying pulp adventures from alien invasion to the preternatural to lost civilization adventures. The Yesterday Men is both more of the same and something completely different.
Rick Steele, for those unfamiliar with the character, is a hard-nosed Korean War veteran turned test pilot who somehow can’t avoid dragging himself and his supporting cast into adventures. Rick is a likable, but imperfect hero. The 1950s setting may seem like an odd one for New Pulp. It was the end of the era for serials and pulps alike, but it was also the Golden Age of Television and adventure strips were still the rage in newspapers. It was the era when the author adored Sky King and Steve Canyon in his formative years. It marked the final heyday of the innocence of American popular culture and the Rick Steele series captures this perfectly. Rather than crafting an idealistic vision of an artificial world (like so many 1950s sitcoms and movies did), the America of the Rick Steeleseries is one where darkness hangs around every corner. The characters don’t know quite what to make of it, but the reader is all too familiar with what is to come.
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Labels:
1950s,
bigotry,
Civil War,
Dick Enos,
New Orleans,
New Pulp,
pulp fiction,
racism,
Rick Steele,
series,
suspense,
The Yesterday Men,
thriller
Tuesday, January 14, 2014
Blogging Dan Barry’s Flash Gordon, Part Eleven
“Tympani” by Dan Barry was serialized by King Features Syndicate from April 27 to July 9, 1955. The strip gets underway with Flash returning to Earth and taking Dale out to enjoy a symphony orchestra concert. Dale’s hair has reverted to its classic look, happily. The concert goes awry when the orchestra launches into a piece and the audience is deafened by the cacophonous sound.
Taking to the streets, they discover every car horn in the city is going off causing accidents and traffic jams. The situation spreads over the globe with factory whistles going off, sonar jamming, rockets misfiring, etc. Soon train accidents cripple the food industry and fuel truck accidents leave people without heat in winter. Dr. Zarkov is busy researching sound vibrations to try to get to the root of the problem that has threatened civilization.
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