Blogging Sax Rohmer…In the Beginning, Part Four

We already noted in our last installment that Arthur Henry Ward had adopted the pseudonym of Sax Rohmer for his relatively successful career as a music hall songwriter and comedy sketch writer. He would later claim that he worked as a newspaper reporter during these years, but that his articles were published anonymously. Allegedly he covered waterfront crime in Limehouse, but he also claimed to have successfully managed interviews with heads of state. There is little doubt the man was a great raconteur, but none of the anonymously published articles and interviews Rohmer credits himself with writing have ever been located by researchers. It is highly questionable whether he ever actually worked as a journalist or at least to the extent he claimed. What is factual is that he did begin having works published anonymously. As a young man, he ran with a crowd of self-styled bohemians who occupied a clubhouse on Oakmead Road in London. Each member of the gang was known by rather fanciful nicknames with Rohmer being known as Digger. Their activities ran from simply hanging around the clubhouse to picking up girls and attempting various get-rich-quick schemes to avoid making an honest living. Some of their schemes were of questionable legality. Around this time, Rohmer decided he would fictionalize their exploits. It is believed he authored seven stories about the Oakmead Road Gang. Five manuscripts were known to have survived their author’s death: “Narky,” “Rupert,” “Digger’s Aunt,” “The Pot Hunters,” and “The Treasure Chest.” All seven stories were submitted for anonymous publication to Yes and No. It appears only the first of the group of stories ever saw print. The surviving four manuscripts passed upon the death of Rohmer’s widow to Cay Van Ash. When Van Ash died in Paris twenty years ago, Rohmer's unpublished manuscripts were being held by a friend in Tokyo (where Van Ash lived for many years while teaching at Waseda University). When the friend had his visa rescinded on short notice in 2000, he was forced to leave Rohmer's manuscripts behind where they were junked by a Japanese family who thought the storage boxes contained worthless garbage. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE ON FRIDAY.

New Pulp delivers its own Occult Anti-Hero in Magee

I’ll come right out and admit I have mixed feelings about ebooks. I travel considerably for my day job and don’t mind having portable versions of books I own for quick reference, but the idea of owning books that cannot be found in print editions on my shelves at home irks me. That said, I recognize the market for digital-only titles is steadily growing, particularly among small press publishers. This, of course, is having its impact on the “New Pulp” community. Witness Pro Se Press’s decision earlier this year to discontinue their pulp magazine, Pro Se Presents and replace it with their Single Shot Signatures line of short stories available exclusively as ebooks. My first sampling of the above is the newly published Magee, Volume One – “Knight from Hell” by David White. At first glance, I was struck by the apparent illustration of publisher Tommy Hancock on the cover, but on second glance I determined it was actually author David White wearing one of Tommy’s trademark hats. Of course, I was wrong on both counts since the illustration actually depicts the anti-hero of the piece, Magee. Magee, it transpires, is actually the fallen angel Malachi who was exiled from Heaven after a fight over a woman with the archangel Michael. We’ll pause right here and note that David White is not a theologian and plays fast and loose with Christian tradition on such celestial matters. Following that disclaimer, we’ll make mention of the fact that Michael likewise banished the archangel Lucifer from Heaven following a similar fight. It seems that God is an absentee deity in these proceedings as He has abandoned Heaven to putter around in the Garden of Eden for several thousand years now. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE ON FRIDAY.

Blogging Sax Rohmer…in the Beginning, Part One

“The Mysterious Mummy” marked Sax Rohmer’s first appearance in print. Only 20 years old at the time, Rohmer was then writing under the byline of A. Sarsfield Ward. Born Arthur Henry Ward, Sarsfield was a surname of historical repute from his mother’s side of the family which he adopted at the start of his writing career. A preview of the story was featured in the November 19, 1903 issue of Pearson’s Weekly with the full story printed in the November 24 issue. “The Mysterious Mummy” languished in obscurity until it was reprinted by Peter Haining in the 1986 anthology, Ray Bradbury Introduces Tales of Dungeons and Dragons. Haining also included the story in the 1988 anthology, The Mummy: Stories of the Living Corpse. Rohmer scholar Gene Christie selected the story for inclusion in the first volume of Black Dog Books’ Sax Rohmer Library, The Green Spider and Other Forgotten Tales of Mystery and Suspense published in 2011. The most interesting feature about this first foray into fiction is that it is not at all a living mummy story, but rather a straight heist caper. Rohmer later disingenuously claimed that a copycat theft was attempted in France and the thief was arrested with a copy of Pearson’s Weekly on his person featuring the story which he claimed was so good he had to risk trying it in real life. Rohmer, of course, was a terribly unreliable interview subject. While it is possible the press were more gullible a century ago, it is more likely they viewed his tall tales as good copy. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE ON FRIDAY.

Jack Ripcord and the Evolution of Pulp

Pulp fiction is alive and well in the new millennium as a niche market fed by reprints of classic pulps, revivals of countless public domain properties, licensed continuations that protect aging copyright claims, and even new pulp fiction cut from the cloth of the classic originals. The evolution of western hero to an archetypal pulp hero has happened once more in this fringe market in the case of western author Thomas McNulty. A veteran western writer in the Zane Grey and Louis L’Amour tradition, McNulty has made the transition from cowboy hero to pulp hero with his latest novel, Jack Ripcord. The title character for a planned trilogy of books, there is no mistaking that Jack Ripcord is an alter ego of the author from the cover character portrait to the way that the story functions as a synthesis of all of McNulty’s interests. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE ON FRIDAY.