Tuesday, August 12, 2014
Even more than the sinister Dr. Fu Manchu, Bulldog Drummond has become more and more obscure with each passing decade. The original ten novels and five short stories penned by H. C. McNeile (better known by his pen name, Sapper) were bestsellers in the 1920s and 1930s and were an obvious and admitted influence upon the creation of James Bond. Gerard Fairlie turned Sapper’s final story outline into a bestselling novel in 1938 and went on to pen six more original novels featuring the character through 1954. While the Fairlie titles sold well enough in the UK, the American market for the character had begun to dry up with the proliferation of hardboiled detective fiction. By the time, Fairlie decided to throw in the towel, the long-running movie series and radio series had also reached the finish line. Apart from an unsuccessful television pilot, the character remained dormant for a decade until he was updated as one of many 007 imitations who swung through a pair of campy spy movies during the Swinging Sixties. Henry Reymond adapted both screenplays for a pair of paperback originals, but these efforts barely registered outside the UK. Fifteen years later, Jack Smithers brought Drummond out of retirement (literally) to join up with several of his clubland contemporaries in Combined Forces (1983). Smithers’ tribute was a sincere effort that found a very limited market to appreciate its cult celebration of the heroes of several generations past. Finally thirty years later, Drummond is back in the first of three new period-piece thrillers from the unlikely pen of fantasy writer Stephen Deas. In a uniquely twenty-first century wrinkle, the three new thrillers are being published exclusively as e-books by Piqwiq. TO CONTINUE READING THIS REVIEW,PLEASE VISIT THE BLACK GATE ON FRIDAY.
Wednesday, August 6, 2014
John Robert Colombo is a Canadian author and poet with over 200 titles to his credit. Apart from the acclaim his creative work has brought him, he is also a lifelong Sax Rohmer fan and collector who has distinguished himself in this rarified circle. A charter member of the now-defunct Sax Rohmer Society and early contributor to the society’s official publication, The Rohmer Review, Colombo never lost his passion for the weird fiction of this former bestselling thriller author. Rather late in his prestigious literary career, Colombo decided to contribute to Rohmerania by expanding the author’s catalogue in conjunction with Dr. George Vanderburgh’s Battered Silicon Dispatch Box imprint. Colombo edited the definitive collection of Rohmer’s female Fu Manchu with The Sumuru Omnibus, a massive tome which brought together all five Sumuru novels penned during the author’s last decade and preserved them in their original unexpurgated text. Colombo also compiled a monograph of Sumuru’s aphorisms direct from Rohmer’s original text with Tears of Our Lady. The unique feature of the monograph being that this same title exists within the fictional universe of the books and is referred to and quoted from frequently. Now, thanks to Colombo’s efforts, Sumuru’s fictional monograph exists as a real world collectible. Colombo and Vanderburgh also competed (unknowingly at first) with Will Murray and Altus Press in publishing the first book to collect all of Rohmer’s tales of The Crime Magnet. Still later, they teamed to produce the first anthology of Rohmer’s non-fiction articles and autobiographical essays, Pipe Dream spanning the author’s entire career. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE ON FRIDAY.
Wednesday, July 30, 2014
I’ll come right out and admit I have mixed feelings about ebooks. I travel considerably for my day job and don’t mind having portable versions of books I own for quick reference, but the idea of owning books that cannot be found in print editions on my shelves at home irks me. That said, I recognize the market for digital-only titles is steadily growing, particularly among small press publishers. This, of course, is having its impact on the “New Pulp” community. Witness Pro Se Press’s decision earlier this year to discontinue their pulp magazine, Pro Se Presents and replace it with their Single Shot Signatures line of short stories available exclusively as ebooks. My first sampling of the above is the newly published Magee, Volume One – “Knight from Hell” by David White. At first glance, I was struck by the apparent illustration of publisher Tommy Hancock on the cover, but on second glance I determined it was actually author David White wearing one of Tommy’s trademark hats. Of course, I was wrong on both counts since the illustration actually depicts the anti-hero of the piece, Magee. Magee, it transpires, is actually the fallen angel Malachi who was exiled from Heaven after a fight over a woman with the archangel Michael. We’ll pause right here and note that David White is not a theologian and plays fast and loose with Christian tradition on such celestial matters. Following that disclaimer, we’ll make mention of the fact that Michael likewise banished the archangel Lucifer from Heaven following a similar fight. It seems that God is an absentee deity in these proceedings as He has abandoned Heaven to putter around in the Garden of Eden for several thousand years now. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE ON FRIDAY.
Wednesday, July 23, 2014
Sapper’s The Final Count (1926) saw the Bulldog Drummond formula being shaken and stirred yet again. The first four books in the series are the most popular because they chronicle Drummond’s ongoing battle with criminal mastermind Carl Peterson. The interesting factor is how different the four books are from one another. Sapper seemed determined to cast aside the idea of the series following a template and the result kept the series fresh as well as atypical. The most striking feature this time is the decision to opt for a first person narrator in the form of John Stockton, the newest member of Drummond’s gang. While Drummond’s wife, Phyllis played a crucial role in the first book, she barely registers in the first three sequels. One would have expected Sapper to have continued the damsel in distress formula with Phyllis in peril, but he really only exploits this angle in the second book in the series, The Black Gang (1922). The Black Gang reappear here, if only briefly, and are quickly dispatched by the more competent and deadly threat they face. This befits the more serious tone of this book which has very few humorous passages. The reason for the somber tone is the focus is on a scientific discovery of devastating consequence that threatens to either revolutionize war or end its threat forever. Robin Gaunt is the tragic genius whose invention of a deadly poison that could wipe out a city the size of London by being released into the air proved eerily prescient. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE ON FRIDAY.
Wednesday, July 16, 2014
“The Green Spider” marked Sax Rohmer’s third foray into short fiction. Still writing under the pen name of A. Sarsfield Ward, the story first appeared in the October 1904 issue of Pearson’s Magazine. It was not reprinted until 65 years later in Issue #3 of The Rohmer Review in 1969. Subsequently, a corrupted version with an altered ending courtesy of the editor appeared in the May 1973 issue of Mike Shayne Mystery Magazine. The restored text was included in the 1979 anthology, Science Fiction Rivals of H. G. Wells. More recently the story has appeared in the 1992 anthology, Victorian Tales of Mystery and Detection, the September 2005 issue of Alfred Hitchcock Mystery Magazine, and as the title story in the first volume of Black Dog Books’ Sax Rohmer Library, The Green Spider and Other Forgotten Tales of Mystery and Suspense (2011). The story itself shares in common with Rohmer’s first effort, “The Mysterious Mummy” the presentation of a seemingly supernatural mystery that has a rational explanation. In the nine months that elapsed between the publication of “The Leopard Couch” and “The Green Spider,” Rohmer honed his writing skills and became a more devoted student of Sir Arthur Conan Doyle and deductive reasoning. “The Green Spider” concerns the disappearance of the celebrated Professor Brayme-Skepley on the eve of an important scientific presentation. It appears to onlookers and Scotland Yard that the Professor has been murdered by a giant green spider that apparently made off with his corpse. The unraveling of the mystery reveals the green spider is no more authentic a threat than the phantom hound of the Baskervilles. While a minor effort, the story retains its charm more than a century on and shows that the mysterious A. Sarsfield Ward was steadily improving as an author. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE ON FRIDAY.
Thursday, July 10, 2014
Sapper’s The Third Round (1926) marked a return to the more humorous tone of the first book in the series. Not only the humor, but the premise of that initial book is invoked with the decision to again build the plot around a spunky female whose doddering old father has fallen prey to heinous villains. All trace of The Black Gang and its doom-laden paranoia over England likewise falling prey to a communist revolution has been removed. In its place we have Hugh Drummond once again eager to escape the boredom of everyday life and engaging in comical banter with friends and foes alike. The starting point for the adventure this time is the impending nuptials of Algy Longworth, Hugh’s old friend who has finally been reduced to the silly ass familiar from the stage play and film adaptations. The catalyst for Algy’s descent into idiocy is his having fallen head over heels in love to the extent that he now horrifies his friends by reciting poetry. So serious is his obsession with the girl of his dreams that he has become a literal walking disaster shunned by all who know him. Algy’s future father-in-law, Professor Goodman has realized an alchemist’s dream of manufacturing diamonds at almost no cost. His intent to take this amazing discovery public brings him to the attention of the diamond syndicate who promptly hire Carl Peterson to remove this living, breathing threat to their livelihood. The novel opens with the syndicate’s interview with Peterson just as the first book opened with Peterson bringing together the international team to financiers to bankroll his scheme to destroy the British economy. Once again, Sapper deliberately echoes the introduction of Dr. Nikola in the first of Guy Boothby’s series in his treatment of the introductory meeting of the chief villain. Sapper’s decision to bring Peterson up from the background to a point of focus as the central threat for the first time is its greatest strength for his narrative finally has a focal point equal to Drummond’s often overpowering personality. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE TOMORROW.
Wednesday, July 2, 2014
“The Mysterious Mummy” marked Sax Rohmer’s first appearance in print. Only 20 years old at the time, Rohmer was then writing under the byline of A. Sarsfield Ward. Born Arthur Henry Ward, Sarsfield was a surname of historical repute from his mother’s side of the family which he adopted at the start of his writing career. A preview of the story was featured in the November 19, 1903 issue of Pearson’s Weekly with the full story printed in the November 24 issue. “The Mysterious Mummy” languished in obscurity until it was reprinted by Peter Haining in the 1986 anthology, Ray Bradbury Introduces Tales of Dungeons and Dragons. Haining also included the story in the 1988 anthology, The Mummy: Stories of the Living Corpse. Rohmer scholar Gene Christie selected the story for inclusion in the first volume of Black Dog Books’ Sax Rohmer Library, The Green Spider and Other Forgotten Tales of Mystery and Suspense published in 2011. The most interesting feature about this first foray into fiction is that it is not at all a living mummy story, but rather a straight heist caper. Rohmer later disingenuously claimed that a copycat theft was attempted in France and the thief was arrested with a copy of Pearson’s Weekly on his person featuring the story which he claimed was so good he had to risk trying it in real life. Rohmer, of course, was a terribly unreliable interview subject. While it is possible the press were more gullible a century ago, it is more likely they viewed his tall tales as good copy. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE ON FRIDAY.