The Solar Pons - Fu Manchu Connection

My colleague Bob Byrne has already introduced many new readers to August Derleth’s wonderfully tongue-in-cheek exploits of the unlikely-named Sherlock Holmes-inspired consulting detective, Solar Pons of Praed Street. Derleth loved tossing in nods to mystery works outside of Sir Arthur Conan Doyle’s fictional universe. These included three memorable encounters with Sax Rohmer’s insidious Dr. Fu Manchu. “The Adventure of the Camberwell Beauty” was the first of the appearances to see publication in 1958. The story presents an unnamed Dr. Fu Manchu hiring the celebrated consulting detective to recover Karah, his beautiful young ward who has been abducted by his rival, Baron Corvus. The tale is set in the early 1930s and although the first chronicled, it is not our heroes’ first encounter with the Devil Doctor. Structured as a tribute to Rohmer’s 1933 novel, The Bride of Fu Manchu, the story reveals Karah (named for Rohmer’s Karamaneh) as the granddaughter of the Devil Doctor. Showing a nice bit of fidelity to Rohmer’s early tales, the unnamed Doctor resides in an underground Thames-side lair in Limehouse. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE.

Frayling tackles his own Yellow Peril

The centennial of Sax Rohmer’s Fu Manchu character is a topic I have covered both for the anniversary of the Devil Doctor’s first appearance in the story, “The Zayat Kiss” in 1912 and the publication of the first novel (really a fix-up of stories), The Mystery of Dr. Fu-Manchu in 1913. While Rohmer and the character are largely forgotten outside of pulp circles today, the legacy of the criminal mastermind is alive and well in film and comics. The concept of the Yellow Peril from an era when the broad term Oriental grouped together people from parts of Eastern Europe with all of Asia and the Middle East may sound anachronistic, but given the continued delicate relations between the Middle East and the West, those same fears personified are still the stuff of fiction and paranoia well over a century on. Sax Rohmer did not invent the criminal mastermind nor was he the first to capitalize on the Yellow Peril for works of fiction. What he did do was create an archetype that managed to embody and transcend the fears of a foreign other to instead personify the fear of Western society falling to a superior intellect operating under a completely different set of values. Rohmer did this better than anyone before and while Fu Manchu as a name may seem ridiculous, the concept of the character is still with us from James Bond films to the media’s portrayal of terrorist leaders in the 21st Century. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE ON FRIDAY.

Meet The Mad Mummy

I was first introduced to Mike Vosburg’s work through my love of Sax Rohmer. His wonderful artwork graced Master of Villainy, the 1972 biography of Rohmer by the author’s widow and Cay Van Ash. Later, I would discover Mike’s artwork also appeared in The Rohmer Review fanzine. Many more years later, I was fortunate enough to have Mike provide the back cover illustration to my second Fu Manchu book. He also gave my daughter a gift of autographed copies of some of his professional work which made her feel like the luckiest nine year old girl on the planet. I don’t claim to know the man well, but I adore his work and know him as a genuinely kind and generous artist. The influence of Sax Rohmer is never far away from Mike’s art. From his early professional work for Marvel Comics with The Deadly Hands of Kung Fu (featuring Shang-Chi, the son of Fu Manchu) to Offcastes, his 1993 Epic Comics limited series set on a future Earth that parallels the colonialism of the past right down to classic Yellow Peril elements including the Zayat Kiss; Rohmer’s shadow looms large. Today, Mike is best known as an award-winning storyboard artist for the Hollywood majors. He still has his hands in the indie comic world, though with such titles as Retrowood, Lori Lovecraft, and his latest creation, The Mad Mummy. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE ON FRIDAY.

Blogging Sax Rohmer’s The Shadow of Fu Manchu, Part Two

The Shadow of Fu Manchu was serialized in Collier’s from May 8 to June 12, 1948. Hardcover editions followed later that year from Doubleday in the U.S. and Herbert Jenkins in the U.K. Sax Rohmer’s eleventh Fu Manchu thriller gets underway with Sir Denis Nayland Smith in New York on special assignment with the FBI. He is partnered with FBI Agent Raymond Harkness to investigate why agents from various nations are converging on Manhattan. Sir Denis suspects the object of international attention is the special project being handled by The Huston Research Laboratory under the supervision of Dr. Morris Craig. However, Smith initially chooses to keep the FBI in the dark on this matter until he is certain. The Si-Fan has succeeded in closing in on The Huston Research Laboratory by drawing a net around the parent corporation Huston Electric’s director, millionaire Michael Frobisher and his wife, Stella. The Frobisher marriage is not a happy one. Michael lives in fear that his flirtatious wife is unfaithful to him and Stella is likewise tormented by a series of neuroses. The family physician, Dr. Pardoe recommends an eminent European psychiatrist and Nazi concentration camp survivor, Professor Hoffmeyer to treat Stella Frobisher. Both Mr. and Mrs. Frobisher are concerned that Asians have been spying on them, going so far as to break into their home and infiltrate their country club. As their marriage is not a healthy one, neither husband nor wife confide in the other, but rather let their paranoia grow until their nerves have frayed. What neither suspects is that Carl Hoffmeyer is really Dr. Fu Manchu in disguise. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE.

Blogging Sax Rohmer’s The Shadow of Fu Manchu, Part One

The Shadow of Fu Manchu was serialized in Collier’s from May 8 to June 12, 1948. Hardcover editions followed later that year from Doubleday in the U.S. and Herbert Jenkins in the U.K. The book was Sax Rohmer’s eleventh Fu Manchu thriller and was also the last of the perennial series to make the bestseller lists. The story had its origins in a stage play Rohmer had developed for several years that failed to get off the ground. It became instead the first new Fu Manchu novel in seven years, during which time the property had begun to fade from the public eye. It had been eight years since the character last appeared on the big screen and since the radio series had reached its conclusion. Detective Comics had long since finished reprinting the newspaper strip as a back-up feature for Batman. As far as the public was concerned Fu Manchu was a part of the past that seemed far removed from a world transformed by the Second World War. The initial three novels in the series were written before and during the First World War, but were set in a pre-war Britain where the paranoid delusions of the Yellow Peril personified offered a much needed dose of escapism from the realities of war in Europe. The Yellow Peril itself was a stereotype based on a turn-of-the-century conflict that became an early example of the “foreign-other” bogeymen who would increasingly feed the fears of the West in this new century. TO CONTINUE READING THIS ARTICLE,PLEASE VISIT THE BLACK GATE.

Robert E. Howard and the Yellow Peril

Many pulp writers were influenced by the success of Sax Rohmer’s Yellow Peril criminal mastermind, Dr. Fu Manchu. The best of the early imitators was Achmed Abdullah’s The Blue-Eyed Manchu while the pulp era brought Robert J. Hogan’s The Mysterious Wu-Fang and Donald Keyhoe’s Dr. Yen-Sin to give the Devil Doctor a run for his money. Today, the best remembered Fu Manchu clone is undoubtedly Ian Fleming’s Dr. No. Marvel Comics’ The Mandarin and The Yellow Claw are the other two characters who have burrowed the furthest into popular culture’s collective memory of the past century. Having to choose the one of the scores of imitations that came closest to matching Rohmer for style and yet was distinct enough to avoid being nothing more than a shameless copy, I would have to single out Robert E. Howard’s Skull-Face and Erlik Khan, the Lord of the Dead. Howard’s reputation as a story-teller has grown over the past few decades to allow him to escape the looming shadow of his immensely popular sword and sorcery hero, Conan the Barbarian and be recognized as a singular talent who mastered many genres during his all too brief life. Sadly, his Yellow Peril thrillers are still largely unknown outside the circle of Howard completists. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE TOMORROW.

The Shadow of Fu Manchu Falls Upon Me Once More

Without Fu Manchu in my life, I would never have started down the path of penning these articles. One thing I was certain of was that there were no more surprises. I had found ever official appearance of Sax Rohmer’s master villain and would, in due course, cover all of them in this blog eventually. So it seems appropriate that in this the year that marks the centennial of the first Fu Manchu novel, my 200th article covers a hitherto unknown official piece of Fu Manchu history. A few weeks ago, I attended Classicon in Michigan and convention organizer, Ray Walsh handed me the January 1933 issue of Movie Mirror with Joan Bennet on the cover. The second feature was The Mask of Fu Manchu by Sax Rohmer. I suspected it was an unknown excerpt from the book and was intrigued I hadn’t been aware that it had turned up in print. What the issue actually contained was something far more valuable: an 11-page “fictionization” of the 1932 MGM film starring Boris Karloff and Myrna Loy, fully illustrated with stills from the film, some of which were quite rare. The adaptation was credited to Constance Brighton, an author I have found no other information concerning which makes me suspect the name is a pseudonym. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE TOMORROW.

Blogging Sax Rohmer’s The Drums of Fu Manchu, Part Four

Sax Rohmer’s The Drums of Fu Manchu was first serialized in Collier’s from April 1 to June 3, 1939. It was published in book form later that year by Cassel in the UK and Doubleday in the US. The last quarter of the book picks up with Sir Denis Nayland Smith and Bart Kerrigan having witnessed Dr. Fu Manchu’s meeting with German dictator Rudolf Adlon. Der Fuhrer receives his final warning from the Si-Fan and is given one hour to leave Venice or else he will be assassinated. Smith and Kerrigan make their way through the villa and come upon the lotus room with the trap floor once more. Inside the room is Ardatha with a set of keys on a mission of mercy to save them from their fates. She leads both men out of the house giving Smith a key to lock the door behind him, but refuses to flee with them. Sir Denis quickly raises the Venetian police to raid the villa in the hopes of rescuing Rudolf Adlon who disappeared the previous night and has still not returned. The raid fails as the villa is deserted except for the steward who denies all knowledge of any Asian visitors and informs them the villa is the property of James Brownlow Wilton, an American newspaper tycoon, munitions manufacturer, and Nazi sympathizer (and a fairly transparent analogue of William Randolph Hearst). Mr. Wilton has just left his villa for his yacht, Silver Heels. To Continue Reading This Article, Please Visit The Black Gate on Friday, October 11.

Blogging Sax Rohmer’s The Drums of Fu Manchu, Part Three

Sax Rohmer’s The Drums of Fu Manchu was first serialized in Collier’s from April 1 to June 3, 1939. It was published in book form later that year by Cassel in the UK and Doubleday in the US. The third quarter of the book picks up with Ardatha having risked her life to warn Bart Kerrigan to leave Venice immediately. The beautiful Eurasian climbs through the startled Englishman’s window in his canal-side hotel room and pleads with him to cease interfering in the Si-Fan’s plans to assassinate German dictator Rudolf Adlon. While Kerrigan’s mind reels at the thought that Ardatha shares the same feelings for him as he does for her, the two are interrupted by the sound of footsteps outside. They fall silent fearing she has been followed, but when the footsteps pass, the two fall into one another’s arms and make love in their desperation. After Ardatha departs into the night, Kerrigan first fears for her safety and then is overcome with guilt at the thought that she acted the part of a decoy who kept him from his duty of watching over Sir Denis. He rushes to his room and finds Smith has disappeared. Kerrigan is forced to realize that while he made love with Ardatha, Sir Denis fell into the hands of the Si-Fan and their efforts to protect Rudolf Adlon from assassination have been compromised as a result. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE NEXT FRIDAY.

Blogging Sax Rohmer’s The Drums of Fu Manchu, Part Two

Sax Rohmer’s The Drums of Fu Manchu was first serialized in Collier’s from April 1 to June 3, 1939. It was published in book form later that year by Cassel in the UK and Doubleday in the US. The second quarter of the book picks up with a weary Sir Denis Nayland Smith contemplating whether he is too old to continue warring with Dr. Fu Manchu and the Si-Fan. Their conflict has stretched for nearly thirty years and the Si-Fan is growing in strength while Nayland Smith is growing old. Chief Inspector Gallaho of Scotland Yard brings news that galvanizes Smith back into action. Dr. Martin Jasper, research director of Caxton armament factory, has received his final notice from the Si-Fan. Smith, Bart Kerrigan, and Gallaho immediately depart for Jasper’s Suffolk estate, Great Oaks. Naturally, they arrive too late. The staff of the great house is in an uproar as their master has barricaded himself in his laboratory and is believed to be dead. Breaking through the barricade, they discover the latest victim of the Green Death is not Dr. Jasper, but his Japanese employer, Mr. Osaki. While interviewing the staff, Smith learns Dr. Jasper had a frequent Eurasian visitor - a woman whose description does not match Ardatha, to Kerrigan’s relief, but rather Fah lo Suee, the now deceased daughter of Fu Manchu. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE ON FRIDAY.

Blogging Sax Rohmer’s The Drums of Fu Manchu, Part One

Sax Rohmer’s The Drums of Fu Manchu was first serialized in Collier’s from April 1 to June 3, 1939. It was published in book form later that year by Cassel in the UK and Doubleday in the US. The book marked a welcome return to the first person narrative voice in the tradition of Conan Doyle’s Sherlock Holmesmysteries and constituted a return to the series’ roots with a close re-creation of the very first Fu Manchu episode, “The Zayat Kiss” in the opening chapters of the new novel. The narrator is Fleet Street journalist Bart Kerrigan, a Dr. Petrie substitute who is an old friend of Sir Denis Nayland Smith from his days as a colonial administrator. As in the first book, our narrator is disturbed one night by the unexpected arrival of Nayland Smith seeking shelter from the Si-Fan agents on his tail. Smith has once again returned to London to save the life of a man marked for death by the Si-Fan. Smith and Kerrigan rush to the home of Sir Malcolm Locke. Sir Malcolm’s house guest, General Quinto is Italian dictator Pietro Monaghani’s right hand man. Quinto has foolishly disregarded his three written warnings from the Si-Fan. Upon Smith and Kerrigan’s arrival, they learn the General has mysteriously died from what Smith calls “the Green Death.” TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE ON FRIDAY.

Blogging Sax Rohmer’s President Fu Manchu, Part Four

Sax Rohmer’s "The Invisible President" was originally serialized in "Collier’s" from February 29 to May 16, 1936. It was published in book form later that year by Cassell in the UK and Doubleday in the US under the title "President Fu Manchu." The novel is the first in the series to fictionalize real events with characters based on familiar figures in the US in the 1930s such as Huey Long and Father Charles Coughlin. More than one critic has noted the story may have influenced the classic Cold War conspiracy thriller "The Manchurian Candidate." The key to tracking down Fu Manchu comes from the most unlikely of sources. It is Robbie Adair, Moya’s four-year old son, who mentions to Mark Hepburn about the mad man who lives at the Stratton Building, the high-rise across the street from Robbie’s apartment, who makes sculptures of a bust and hurls them down to the street below. Robbie also mentions “Yellow Uncle” who is kind to him and gave him his own auto for his birthday. Moya dismissed the stories as a little boy’s imagination, but Hepburn realizes the auto is in fact a toy car and “Yellow Uncle” is very real. The mad man Robbie sees is Professor Morgenstahl, a brilliant German scientist believed dead who is now a slave to the Si-Fan and installed at the Stratton Building. During his free hours each day, he sculpts a bust of Fu Manchu and hurls it to the pavement below in impotent rage. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE NEXT FRIDAY.

Blogging Sax Rohmer’s President Fu Manchu, Part Three

Sax Rohmer’s "The Invisible President" was originally serialized in Collier’s from February 29 to May 16, 1936. It was published in book form later that year by Cassell in the UK and Doubleday in the US under the title "President Fu Manchu." The novel is the first in the series to fictionalize real events with characters based on familiar figures in the US in the 1930s such as Huey Long and Father Charles Coughlin. More than one critic has noted the story may have influenced the classic Cold War conspiracy thriller "The Manchurian Candidate." The presidential debate is the centerpiece of the book and is masterfully played out by Rohmer. Abbot Donegal turns up and is taken into protective custody by the FBI. Dr. Prescott attends the debate at Carnegie Hall and, thanks to his having been drugged by Fu Manchu earlier, makes a complete shambles of countering the progressive candidate, Harvey Bragg. The audience at Carnegie Hall and those listening around the country to the radio broadcast are shocked at how badly the conservative candidate loses the debate. As the triumphant Bragg tells the press afterwards that he will transform the United States and then the rest of the world, one of his union backers, Paul Salvaletti clicks off the names of the continents. As he says “Asia,” Herman Grosset’s brainwashed programming clicks into gear. He brandishes a pistol and shoots and kills Harvey Bragg on the spot. Bragg’s security guards turn their weapons on Grosset and shoot him dead seconds later. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE NEXT FRIDAY.

Blogging Sax Rohmer’s President Fu Manchu, Part Two

Sax Rohmer’s "The Invisible President" was originally serialized in Collier’s from February 29 to May 16, 1936. It was published in book form later that year by Cassell in the UK and Doubleday in the US under the title "President Fu Manchu." The novel is the first in the series to fictionalize real events with characters based on familiar figures in the US in the 1930s such as Huey Long and Father Charles Coughlin. More than one critic has noted the story may have influenced the classic Cold War conspiracy thriller "The Manchurian Candidate." The hotel where Sir Denis Nayland Smith and his FBI counterpart, Mark Hepburn are staying is thrown into a panic over the unexpected arrival of James Richet, Abbot Donegal’s secretary, who is wanted by the authorities as a member of the Si-Fan. Richet arrives by taxi outside the hotel before collapsing. His corpse is discovered inexplicably covered with mysterious red spots. When first introduced, Richet came under suspicion for no better reason than Smith detecting Eurasian blood in his background. Strangely, Smith’s valet Fey is also Eurasian and while other characters sometimes express doubts about Fey’s loyalty, Sir Denis never questions it. One wishes that Rohmer would have given Smith a more concrete reason to suspect Richet other than racial profiling. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE ON FRIDAY.

Blogging Sax Rohmer’s President Fu Manchu, Part One

Sax Rohmer’s "The Invisible President" was originally serialized in Collier’s from February 29 to May 16, 1936. It was published in book form later that year by Cassell in the UK and Doubleday in the US under the title "President Fu Manchu." The novel is the first in the series to fictionalize real events with characters based on familiar figures in the US in the 1930s such as Huey Long and Father Charles Coughlin. More than one critic has noted that the story may have influenced the classic Cold War conspiracy thriller "The Manchurian Candidate." The novel gets underway with Sir Denis Nayland Smith on special assignment with the FBI in a reworking of the Parson Dan episode from the very first Fu Manchu novel over twenty years before. Rohmer is much more comfortable with his second effort at a third person narrative for the series. The early chapters do an admirable job of introducing Smith and his opposite number, FBI Agent Mark Hepburn into the lives of the highly controversial radio talk show host, Father Patrick Donegal. The celebrated Catholic priest had his manuscript on the forces threatening the USA stolen from his studio at the Tower of the Holy Thorn during his most recent broadcast. Abbot Donegal can recall nothing of the theft or even the contents of the manuscript he prepared. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE.

Blogging Sax Rohmer’s The Trail of Fu Manchu, Part Four

Sax Rohmer’s The Trail of Fu Manchu was originally serialized in Collier’s from April 28 to July 14, 1934. It was published in book form later that year by Cassell in the UK and Doubleday in the US. The book marked the first time Rohmer employed third person narrative in the series and dispensed with the first person narrative voice modeled on Sir Arthur Conan Doyle’s Sherlock Holmes stories. The results dilute what would otherwise have been a stronger novel that saw the series return to its roots. The story picks up in the aftermath of the Limehouse explosion one week earlier. Surprisingly, Sam Pak’s opium den only sustained minor structural damage. No bodies have been recovered nor did the police launch sight any boat escaping on the Thames prior to the explosion. Sir Denis Nayland Smith and Chief Inspector Gallaho are hopeful that Fu Manchu might actually be dead, but unless bodies are recovered, Smith does not feel secure. TO CONTINUE READING THIS ARTCLE, PLEASE VISIT THE BLACK GATE NEXT FRIDAY.

Blogging Sax Rohmer’s The Trail of Fu Manchu, Part Three

Sax Rohmer’s The Trail of Fu Manchu was originally serialized in Collier’s from April 28 to July 14, 1934. It was published in book form later that year by Cassell in the UK and Doubleday in the US. The book marked the first time Rohmer employed third person narrative in the series and dispensed with the first person narrative voice modeled on Sir Arthur Conan Doyle’s Sherlock Holmes stories. The results dilute what would otherwise have been a stronger novel that saw the series return to its roots. Chief Inspector Gallaho leads a police raid on Sam Pak’s opium den and begins the descent to the tunnel system below the Thames where Fu Manchu is transmuting base metal to gold in an alchemical process utilizing human bodies fed into a giant underground furnace. Alan Sterling has been sent to labor in the boiler room while Sir Denis Nayland Smith has been condemned to death alongside Fah lo Suee, Fu Manchu’s treacherous daughter. Sir Denis is puzzled why Fah lo Suee has forfeited her own life in a failed effort to save his own. He is startled when she confesses the reason is that she has loved him for many years as the man who did not fear to stand up to her father. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE ON FRIDAY.

Blogging Sax Rohmer’s The Trail of Fu Manchu, Part Two

Sax Rohmer’s The Trail of Fu Manchu was originally serialized in Collier’s from April 28 to July 14, 1934. It was published in book form later that year by Cassell in the UK and Doubleday in the US. The book marked the first time Rohmer employed third person narrative in the series and dispensed with the first person narrative voice modeled on Sir Arthur Conan Doyle’s Sherlock Holmes stories. The results dilute what would otherwise have been a stronger novel that saw the series return to its roots. Sir Denis Nayland Smith, Alan Sterling, and Chief Inspector Gallaho follow Fah lo Suee from Sam Pak’s Limehouse opium den to the Ambassador’s Club where the daughter of Fu Manchu has a rendezvous with Sir Bertram Morgan. The reader learns in short order that Fah lo Suee met Sir Bertram three years ago in Cairo and so has retained her old identity of Madame Ingomar. The old financier has fallen madly in love with the seductive Eurasian beauty. Sir Denis and company follow their car to Rowan House in Surrey, the former residence of Sir Lionel Barton, where Madame Ingomar’s father now resides. Once again, Rohmer refers back to the first book in the series for it was at Rowan House where Nayland Smith and Dr. Petrie first encountered Sir Lionel Barton. Sir Bertram Morgan arrives at Rowan House and is introduced to Dr. Fu Manchu, posing as the Marquis Chang Hu, he informs Morgan that he has mastered the secret of alchemy and is able to transmute base metal into gold. Sir Bertram is allowed to examine a gold ingot as proof of his claims. Bewitched by the wonders before him, Sir Bertram forgets his anger at Madame Ingomar’s father for having whipped his daughter so cruelly as to have left her back permanently scarred. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE ON FRIDAY.

Blogging Sax Rohmer’s The Trail of Fu Manchu, Part One

Sax Rohmer’s The Trail of Fu Manchu was originally serialized in Collier’s from April 28 to July 14, 1934. It was published in book form later that year by Cassell in the UK and Doubleday in the US. The book marked the first time Rohmer employed third person narrative in the series and dispensed with the first person narrative voice modeled on Sir Arthur Conan Doyle’s Sherlock Holmes stories. The results dilute what would otherwise have been a stronger novel that saw the series return to its roots. The book gets off to an atmospheric start on a foggy night in London where a lone constable is standing guard outside Professor Pietro Ambroso’s art studio. He catches a glimpse of a shambling figure approaching the studio several times, but the crouching man eludes capture. A woman’s cries for help send the constable away from his post to investigate, but he finds no one. When he returns to his post, he finds the front door to Professor Ambroso’s studio open and upon investigating finds the studio deserted. The scene shifts to Scotland Yard where Sir Denis Nayland Smith is in conference with Chief Inspector Gallaho who succeeded Inspector Weymouth after the latter became Police Superintendant in Cairo. The reader is somewhat surprised to learn that Professor Ambroso is also the focus of their concern. The Professor has attained fame as an artist and sculptor. His latest work is The Sleeping Venus, a stunningly beautiful porcelain nude. Ambroso had requested police protection upon his arrival in London. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE ON FRIDAY.

Blogging Sax Rohmer’s The Bride of Fu Manchu, Part Four

Sax Rohmer’s The Bride of Fu Manchu was originally serialized in Collier’s from May 6 to July 8, 1933 under the variant title, Fu Manchu’s Bride. It was published in book form later that year by Cassell in the UK and Doubleday in the US. The US edition retained the original magazine title until the 1960s when the UK book title was adopted for the paperback edition published by Pyramid Books. Sir Denis Nayland Smith and Alan Sterling lead the police raid of Mahdi Bey’s Riviera estate. Moving deep below sea level in the underground catacombs, they find themselves cut off by steel doors which descend on both sides. Fearing for their lives and plunged in darkness, they are startled to hear the voice of Fu Manchu informing them he is leaving by submarine and that Dr. Petrie and Fleurette go with him. He explains he is sparing their lives only because Sir Denis and Sterling spared his when they both encountered him in his opium trance. Smith and Sterling manage to climb through an opening in the catacombs and descend into the underground stream and swim across until they can climb the rocks leading to the beach at St. Claire. Sir Denis notes that Petrie could never have made the journey to the submarine in his weakened condition and sees evidence of oil trails that suggest that another party has left the beach via motorboat. The question remains where the motor boat will meet up with the submarine. Smith suspects their destination would be a yacht with which to transport the party to the rendezvous. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE NEXT FRIDAY.