Sunday, March 23, 2014

Blogging Sax Rohmer’s The Island of Fu Manchu, Part Four

Sax Rohmer’s Fu Manchu and the Panama Canal was first serialized in Liberty Magazine from November 16, 1940 to February 1, 1941. It was published in book form as The Island of Fu Manchu by Doubleday in the US and Cassell in the UK in 1941. The book serves as a direct follow-up to Rohmer’s 1939 bestseller, The Drums of Fu Manchu and is again narrated by Fleet Street journalist, Bart Kerrigan. The final quarter of the novel sees Rohmer really deliver the goods with Kerrigan and Sir Denis Nayland Smith successfully infiltrating the Haitian voodoo ceremony of Queen Mamaloi. While similar scenes had occurred in the past at various clandestine gatherings of the Si-Fan, the sequence most closely resembles the gathering of the followers of El Mahdi in 1932’s The Mask of Fu Manchu. Rohmer’s mastery of the art of suspense writing makes the reader believe the heroes are in genuine danger. While this is no small feat considering the number of times Rohmer had penned similar scenes in the past, part of the success here is down to the climactic revelation of the voodoo Queen Mamaloi. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE ON FRIDAY.

Wednesday, March 19, 2014

Blogging Sax Rohmer’s The Island of Fu Manchu, Part Three

Sax Rohmer’s Fu Manchu and the Panama Canal was first serialized in Liberty Magazine from November 16, 1940 to February 1, 1941. It was published in book form as The Island of Fu Manchu by Doubleday in the US and Cassell in the UK in 1941. The book serves as a direct follow-up to Rohmer’s 1939 bestseller, The Drums of Fu Manchu and is again narrated by Fleet Street journalist, Bart Kerrigan. The second half of the book gets underway with Sir Denis Nayland Smith, Sir Lionel Barton, Bart Kerrigan, and the local police chief holding a council of war to discuss the enigmatic Lou Cabot. A meeting is arranged by Kerrigan and Sir Denis with the dancer Flammario who is Cabot’s former lover. Cabot is involved with the Si-Fan and has run afoul of Dr. Fu Manchu. Both the Devil Doctor and Flammario wish to see Cabot dead. Flammario is clearly meant to recall Zarmi from the third Fu Manchu novel, but she is more bitter than she is seductive. She leads Smith and Kerrigan to Cabot’s apartment. Unfortunately, the Si-Fan had the advantage and arrived before them. The place is in a shambles and they find Cabot’s hideosuly mangled corpse. Kerrigan spies Ardatha’s ring on a shelf and knows that his lost love has fallen back into the Si-Fan’s clutches. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE ON FRIDAY.

Friday, March 7, 2014

Blogging Sax Rohmer’s The Island of Fu Manchu, Part Two

Sax Rohmer’s Fu Manchu and the Panama Canal was first serialized in Liberty Magazine from November 16, 1940 to February 1, 1941. It was published in book form as The Island of Fu Manchu by Doubleday in the US and Cassell in the UK in 1941. The second quarter of the novel begins with Ardatha phoning Kerrigan before he leaves for their mission abroad. She shares Fu Manchu’s itinerary with him in the hopes he will arrange for the return of Peko, Fu Manchu’s pet marmoset. After hanging up, a confused Kerrigan learns Sir Lionel abducted the animal while being liberated from the clinic in Regent Park. Sir Denis explains both he and Barton understand Peko’s value as a hostage. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE NEXT FRIDAY.

Wednesday, March 5, 2014

Blogging Sax Rohmer’s The Island of Fu Manchu, Part One

Sax Rohmer’s Fu Manchu and the Panama Canal was first serialized in Liberty Magazine from November 16, 1940 to February 1, 1941. It was published in book form as The Island of Fu Manchu by Doubleday in the US and Cassell in the UK in 1941. The book serves as a direct follow-up to Rohmer’s 1939 bestseller, The Drums of Fu Manchu and is again narrated by Fleet Street journalist, Bart Kerrigan. The previous book in the series was published just prior to the outbreak of the Second World War in Europe. Rohmer chose to portray characters such as Hitler and Mussolini under thinly disguised aliases. More critically, he chose to have these threats to world peace removed by the conclusion of the book as he naively believed a Second World War would be avoided at all costs. Over a year into the war, Rohmer had to address these issues for his readers. His excuse was a brilliant one. The prior narrative had been censored by the Home Office. Bart Kerrigan was forced to alter names and events. Hitler and Mussolini yet lived. Interestingly, Rohmer chose to pick up the story some months after the last title and reflect changes in the lives of his characters. The Si-Fan has fallen under an unnamed pro-Fascist president who counts Fu Manchu’s duplicitous daughter among his closest allies. The Devil Doctor himself has fallen from grace within the Si-Fan as he opposes fascism at all costs. This rift threatens to tear the secret society apart as much as the war was doing the same to governments around the world. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE ON FRIDAY.

Friday, February 28, 2014

Unearthing Solomon's Vineyard

Jonathan Latimer is sadly forgotten today. There was a time when his screwball private eye series featuring the rarely sober Bill Crane were bestsellers and even made the transition to the silver screen in the late 1930s courtesy of Universal Pictures in a fun trio of B-movies. Latimer was a respected Hollywood screenwriter of the 1940s who crossed over to television from the 1950s through the early 1970s writing for such series as Perry Mason and Columbo. He also achieved instant notoriety as the author of the hardboiled detective novel, Solomon’s Vineyard which was banned almost upon publication in 1941 and remained unavailable in its original form in the U.S. for decades. The general consensus is with Solomon’s Vineyard, Latimer turned up the heat on hardboiled detective fiction and blurred the line between pulp and pornography. Most critics will claim that even today, readers would be hard-pressed to find a tougher or more shocking private eye novel. While public domain copies riddled with typos are easy to come by, I finally tracked down an affordable copy of an earlier edition and read the book for myself. I was shocked as well, not by the content, but to learn the book is clearly intended as yet another of Latimer’s laugh-out-loud farces despite its reputation. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE.

Thursday, February 20, 2014

Spaghetti Westerns Go Kaballah

I’ve known Ed Erdelac from New Pulp circles, but had never read any of his fiction before. Ed is a very talented author who has determined to carve out his own niche in the familiar sub-genre of spaghetti westerns. If one is to be accurate, spaghetti westerns were westerns of the 1960s and 1970s made by Italian filmmakers in Spain with international casts and international funding. They offered an avant-garde spin on westerns which were gritty, realistic, bloody, and notably laconic in contrast to the traditional Hollywood westerns which mythologized America’s past. Since the mid-1960s, Hollywood has occasionally offered up their own imitation spaghetti westerns right up to Quentin Tarantino’s acclaimed Django Unchained. Enter: Ed Erdelac. Ed wasn’t the first author to translate spaghetti westerns to the printed page. Sergio Leone’s Dollars trilogy inspired a Man with No Name literary series in the 1960s. However, he is, to my knowledge, the first author to put a Jewish spin on this very stylish sub-genre. While there was a tongue-in-cheek Jewish spy series in the 1960s, Erdelac isn’t interested in writing a kitsch genre spoof. The Merkabah Rider series is as deadly serious as it is eccentric and the dramatic tone makes all the difference to the book’s success. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE.

Friday, February 14, 2014

The Return of Renner and Quist

Samhain Publishing has just awakened Sleeping Bear, the second Renner and Quist adventure by Mark Rigney to see publication as an ebook. I discovered the series last year when the same publisher unearthed The Skates, a screwball quest involving tormented Victorian souls, a pair of magic ice skates, a ghostly hound, and dimensional time and space travel. For the benefit of newcomers, Renner and Quist are an odd couple double act comprising a stuffy Unitarian minister and a rather crude, sometimes boorish, ex-linebacker and former private eye who team to solve occult mysteries in Michigan. This quirky series is surprisingly literate fiction that calls to mind Douglas Adams’ delightful Dirk Gently series. Rigney’s fiction is built around his characters’ faith (or their lack thereof) in the supernatural and preternatural. The series is thought-provoking as much as it is entertaining. This time out, Sleeping Bear finds Reverend Renner suffering through a crisis of faith as his attempts to minister at a local hospice have fallen on not just deaf ears, but unbelieving ones. TO CONTINUE READING THIS ARTICLE, PLEASE VISIT THE BLACK GATE.